Fabrice Marandola

Fabrice Marandola obtained a ‘Diplôme de Formation Supérieure’ in the class of Jacques Delécluse at the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMD) in 1997. Currently he is a professor of percussion at the Schulich School of Music of McGill University, co-director of the McGill Percussion Ensemble and a guest instructor at the Crane School of Music in Potsdam, NY (State University of New-York) since September 2006. Marandola previously taught at the Conservatoire National de Region of Grenoble and Angers (France) and at the CNSMD of Paris (Pedagogy department).

A large part of his musical activities is devoted to new music, collaborating particularly with composer Arnaud Petit. The CD "Chants …" that he recorded with Les Jeunes Solistes (dir. R. Safir), devoted to the vocal works of Claude Vivier, won the Académie du disque Charles Cros "Grand Prix 2003". Marandola remains equally attached to orchestral music and has participated in numerous concerts with the orchestras of Radio France (Orchestre National de France, Nouvel Orchestre Philharmonique of Radio France) from 1998 to 2005.

Since his arrival in Montreal, Marandola has performed with Nouvel Ensemble Moderne and Kore.  In addition to launching percussion duo Akrostick with Kristie Ibrahim, he is also a founding member of Sixtrum, the new percussion ensemble in residency at the University of Montreal.

In parallel to his career as a musician, Marandola carries out research in ethnomusicology. In 2003 he completed a PhD in Ethnomusicology at Sorbonne, Paris. He is currently a member of the Langues-Musiques-Sociétés laboratory (CNRS-Paris V) and published in collaboration three compact discs on the topic of the traditional music of Cameroon (Inédit and Ocora/Radio France). He recently became co-leader of the group of research devoted to “Expanded Musical Practice” within the Centre for Interdisciplinary Research in Music Media and Technology of Montreal (CIRMMT).

 

Friday, March 2, 2012 - 10:12pm

In my previous post, the first of a series on the place of Sixtrum in the career of its performers, I asked the question: "What does Sixtrum represent in your career?" to Fabrice Marandola. For my second post of this series, the same question was asked to Robert Leroux during an interview on December 13th. Here is an overview of that interview:

Sunday, January 22, 2012 - 10:13pm

Whether it is through concerts of the Sixtrum Series, or of the Youth Series, or concerts on tour, Percussion Ensemble Sixtrum shines and makes contemporary music for percussion shine as well. To understand the impact of Sixtrum in the careers of its performers, I propose a series of blogs based on interviews with the musicians of the group.

Wednesday, November 23, 2011 - 8:26pm

Last Monday, November 7th, percussion ensemble Sixtrum presented the concert Histoires de gestes at the Society for Arts and Technologies (SAT). The concert was based on pieces which exploited in different ways, the concept of gesture in music.